Wednesday, June 1, 2016

From Whence it Came: The Origins of the “Star-Spangled Banner” by David Wittner

https://www.nps.gov/stsp/learn/historyculture/images/Key_Battle_of_Baltimore.jpg
Over the recent Memorial Day holiday weekend, I found myself musing over the myriad Facebook posts and Tweets that purported to explain the true meaning of Memorial Day and more importantly the origins of the “Star Spangled Banner.” One Youtube video I was sent claimed that after watching this video viewers “would never think of our National Anthem in the same way again.” [1] Awestruck, is one word I could use to describe seeing this video, but astonished that someone could misrepresent the history of the “Star-Spangled Banner” so thoroughly is more accurate. After watching the video, I was moved to write out of a sense of wanting others to know the origins of one of our national traditions.

Francis Scott Key wrote the “Star-Spangled Banner” in 1814, shortly before the end of the War of 1812. In actuality, Key didn’t write the “Star-Spangled Banner,” he wrote a poem, “The Defence (sic) of Fort McHenry,” part of which became our national anthem.[2] Key, a Georgetown lawyer, was sent to Baltimore by President James Madison to negotiate the release of an American physician, Dr. William Beanes, who was held prisoner by the British following the Battle of Bladensburg. Key and another negotiator, State Department lawyer John Stuart Skinner, were on an American flag-of-truce ship, President, the morning of September 13, 1814, when British warships in Chesapeake Bay launched a 25-hour bombardment of Fort McHenry, which guarded Baltimore Harbor.[3]

Fearing that Key and Skinner would warn the Americans of the pending attack, the British frigate HMS Surprise prevented the American ship from leaving the area, forcing it to drop anchor in the mouth of the Patapsco River until the siege and battle ended. In reality, being “held hostage” during the battle was one of the terms of Beanes’ release. Regardless, Key and Skinner witnessed the battle from the decks of the truce ship. One can only image their anxiety watching the British fleet bombard the American fort throughout the night. According to (faulty) British estimations, Fort McHenry and the city of Baltimore would fall in a matter of hours.

When dawn rose the following morning, the American flag was still flying over Fort McHenry. In actuality, it wasn’t the same flag that Key saw at the beginning of the battle. There are various stories but the flag Key saw at dawn was a large garrison flag, not the smaller battle flag that flew throughout the night.

Unsure of American troop strength, British soldiers under the command of Colonel Arthur Brooke—who planned to bypass Fort McHenry and attack Baltimore—returned to the fleet. Key’s truce ship was released as the British sailed for New Orleans shortly thereafter.[4] Inspired by what he witnessed, Key jotted down some notes and supposedly finished writing his poem, “The Defence of Fort McHenry,” within a day of returning home. The poem was published in the Baltimore Patriot and Evening Advertiser on September 20, 1814. There is evidence that Key suggested setting the poem to music and ironically used the melody of “To Anacreon in Heaven,” a popular British drinking song at the time.

Unofficially, the “Star Spangled Banner” was viewed as a national hymn in the nineteenth century. During the Civil War, 1861, Oliver Wendell Holmes added a fifth stanza to the hymn in support of the Union cause. It was subsequently removed. In 1916, Woodrow Wilson issued an executive order proclaiming the “Star Spangled Banner” the national anthem to little effect. It wasn’t until 15 years later, 1931, that congress passed (and Herbert Hoover signed) legislation formally declaring the “Star Spangled Banner” our national anthem.

I think it only fair to give full coverage to Key’s poetic talents. Here is the full poem from which the national anthem is derived both in transcription and an original penned copy.

        The Defence of Fort McHenry 

http://amhistory.si.edu/starspangledbanner/images/4100_01_LG.jpg
O! say can you see by the dawn’s early light
What so proudly we hailed at the twilight’s last gleaming?
Whose broad stripes and bright stars through the perilous fight,
O’er the ramparts we watched were so gallantly streaming?
And the rockets’ red glare, the bombs bursting in air,
Gave proof through the night that our flag was still there.
O! say does that star-spangled banner yet wave
O’er the land of the free and the home of the brave?

On the shore, dimly seen through the mists of the deep,
Where the foe’s haughty host in dread silence reposes,
What is that which the breeze, o’er the towering steep,
As it fitfully blows, half conceals, half discloses?
Now it catches the gleam of the morning’s first beam,
In full glory reflected now shines in the stream:
’Tis the star-spangled banner! Oh long may it wave
O’er the land of the free and the home of the brave.

And where is that band who so vauntingly swore
That the havoc of war and the battle’s confusion,
A home and a country should leave us no more!
Their blood has washed out their foul footsteps’ pollution.
No refuge could save the hireling and slave
From the terror of flight, or the gloom of the grave:
And the star-spangled banner in triumph doth wave
O’er the land of the free and the home of the brave.
O! thus be it ever, when freemen shall stand
Between their loved home and the war’s desolation!
Blest with victory and peace, may the heav’n rescued land
Praise the Power that hath made and preserved us a nation.
Then conquer we must, when our cause it is just,
And this be our motto: ’In God is our trust.’
And the star-spangled banner in triumph shall wave
O’er the land of the free and the home of the brave! [5]

Notes:
[1] https://www.facebook.com/robert.surgenor.5/videos/10204458888057032/
[2] An original broadside can be seen at http://www.mdhs.org/digitalimage/defence-sic-fort-mhenry. Historians still argue whether or not Key intended to write a poem or a song.
[3] There are several good, easy to read books on the history of the battle of Baltimore, the attack on Fort McHenry, and the origins of the national anthem including: Walter Lord, with an introduction by Scott S. Sheads, The Dawn’s Early Light, (Baltimore: Johns Hopkins University Press, 2012), and Steve Vogel, Through the Perilous Night: Six Weeks that Saved the Nation, (New York: Random House, 2013) as well as Sheads’ blogpost, https://maryland1812.wordpress.com/2011/04/03/the-defense-of-fort-mchenry-words-of-the-national-anthem/
[4] http://militaryhistory.about.com/od/warof1812/p/ftmchenry.htm
[5] There are numerous transcribed versions of The Defence of Fort McHenry including https://maryland1812.wordpress.com/2011/04/03/the-defense-of-fort-mchenry-words-of-the-national-anthem/

Friday, April 22, 2016

Woodstock: Peace and Music

Author: Paul Joyce (Utica College Accounting Major)

The 1969 Woodstock Music Festival was a significant event in New York State’s cultural history.  Originally planned to run from August 15th to 17th, the festival ultimately lasted until August 18th, making it a four-day affair.  Over 450,000 people attended the festival, and 32 different musical acts performed over the four days. [1]

Woodstock became a symbol of the 1960s and of the hippie movement.  As Elliot Tiber puts it, “the site became a counter-cultural mini-nation in which minds were open, drugs were all but legal and love was ‘free’”. [1] Young people gathered to spread their message of peace and love while listening to some of the most talented musicians of the time.

Many people do not know the roots of the event or that it did not actually take place in Woodstock, New York.  The festival was held in Bethel, a small rural community near the Catskill Mountains. [1] Joel Rosenman, John Roberts, Artie Kornfield and Michael Lang were the four young men who developed the idea of the festival.  Rosenman and Roberts were constantly looking for opportunities to make money in New York City, while Lang and Kornfield were both more oriented with the music scene (and by extension, recreational drug use). [1]

Lang and Kornfield initially birthed the idea of a major concert in the Woodstock area to get away from the crowded spaces of New York City, enjoy the land, and listen to some of the period’s most popular music.  However, Kornfield and Lang required money to launch the festival.  The pairs’ lawyer advised them to consult with Rosenman and Roberts due to their reputation as businessmen.  Intrigued by the idea of a festival, Rosenman and Roberts partnered with Kornfield and Lang to launch the Woodstock festival. [1] The size and scale of the proposed festival grew, and the group needed a location large enough to accommodate tens of thousands of people.  Ultimately, they decided to hold the festival at Bethel dairy farmer Max Yasgur’s land. [1] They initially planned for about 50,000 people, which in reality was surpassed by a large margin when the festival actually occurred.

Because of the influence of Lang and Kornfield, Woodstock’s planners were able to secure major musical acts for the festival.  Santana, Janis Joplin, Crosby, Stills, Nash and Young, The Who, The Grateful Dead, Jimi Hendrix, Jefferson Airplane and Creedence Clearwater Revival were among the groups who played at the festival. Hendrix performed his famous rendition of the Star Spangled Banner on the guitar. [2] These musical artists preached the ideas of peace and love, and the crowd was very receptive to those messages.

Woodstock served many purposes, as it was not only important because it allowed for different musical artists to have an opportunity to display their musical prowess.  The circumstances of the time period played a vital role in the Woodstock Festival’s launch, as well as the impact it had on young people in America.  In 1969, Woodstock occurred in the midst of one of the most turbulent times in American history.  The unpopular Vietnam War was still going on, and the American public became increasingly disillusioned by the conflict. Woodstock’s attendees largely opposed the cost of the war, as well as the draft.  They wanted the United States to pull out of Vietnam to avoid more deaths and to create peace both in the region and at home.

Meanwhile, the Civil Rights movement and the crusade for equal rights for African Americans continued during Woodstock. The festival reflected resistance to the status quo in favor of peace and love.  The music industry propagandized the gathering thousands of people at Woodstock to hear the ideas of musicians pushing for peace.  There was the idea of strength in numbers; the people felt that banding together could help them change the system and bring peaceful results, such as the end of American involvement in Vietnam.  It also gave people an escape from their everyday lives, sharing the memories of Jimi Hendrix shredding a guitar solo or Jefferson Airplane serenading the crowd with “Somebody To Love”.  The images of 450,000 people gathered in one location to take in this music was truly iconic, and the legacy of Woodstock continues to live on.
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[1] Elliot Tiber, “How Woodstock Happened,” The Times Herald-Record, 1994.
[2] Corey Kilgannon, “3 Days of Peace and Music, 40 Years Later,” New York Times (New York, NY), F14.

Monday, April 11, 2016

Contemporary Struggles in the Mohawk Valley and Central New York

As promised, we’re delivering Part II of our history seniors’ “One Cool Source” from their individual projects, which they will present at the Utica College History Department's / Center for Historical Research's annual History Project Symposium. Each student is researching a project that connects with the theme “Superheroes” in the Mohawk Valley, which entails the reconstruction of events in the region's past that involved triumph over adversity, or struggles in power. Here’s a bit about the remaining topics from this year’s seniors.



Adam Tomblin

Fairies, Fury, and Freedom:  The Struggle for LGBT Equality in Central New York


Famous gay rights pioneer Harvey Milk once said: “If a bullet should enter my brain, let that bullet destroy every closet door.” To understand Milk’s statement, one must understand the struggle for LGBT freedom and equality. My historical research paper, “Fairies, Fury, and Freedom: LGBT Rights Activism in Central New York.” This focuses on the activism in the LGBT community in Central New York and how localized movements sparked the beginning of the broader LGBT rights movement. My argument is that, without local grassroots movements, there would not have been a national or international movement to ensure the protection and equal treatment of LGBT persons. The grassroots are the reason for the success of the LGBT rights movement. Primary sources are critical to my research. The main primary sources I use are in-person interviews with local activists, who were instrumental in LGBT activism before it was more open and popular. The people I interviewed are incredible, both in resilience and just sheer gestalt. If someone asks me why I am doing this project, I will explain the importance of knowing where the struggle began, why it happened, where it has taken us, and what we still have left to do.



Amanda Backer  

Closed for Business:  Boonville and Globalization

  
I have wondered about a building in my town that is considered to be an eye sore. It is a reminder of the good old days in Boonville: the Ethan Allen furniture company building. My curiosity about the building led to many questions about Boonville’s past. Looking for answers led to two key newspaper articles. One is a 1999 article about Ethan Allen’s 7.6 million dollar expansion of its Boonville plant and the creation of almost fifty new jobs. In an interview, the CEO stated that Ethan Allen was about keeping jobs local, in America, and that the company respected its workers and was optimistic about the future. Just five years later, another newspaper article announced the sudden closure of the plant, which put 250 Boonville residents out of a job. What would cause the company to spend 7.6 million dollars on an expansion project, only to close its doors a few years later?  Like many companies, Ethan Allen was looking for a cheaper way to manufacture its products. It closed its American facilities and moved the jobs elsewhere. These two “cool sources” launched my research project and revealed how global economic competition could affect a small town in Central New York. [1]


Zach Handy

The Corporatization of Education: How Big Money Corporations are Destroying the Teaching Profession in Gloversville and New Hartford, New York



Becoming an educator has always been a dream of mine. I am currently enrolled in Utica College’s teacher certification tract. When it came time for me to choose my topic for my senior history research project, I had no idea what I wanted to do. However, when I really thought about the things that I am most passionate about, teaching was one of the first things that came to my mind. The history of education caught my eye because all of the controversy that the profession is facing lately. The teachers are upset with the Department of Education, and many students are opting out of almost all of the state tests. I decided to research the history of standardized tests, as well as education corporations to show how the history of these things can cause the controversy we are seeing today. One of the primary sources that I am excited about is an interview with a Utica College education professor. This professor has knowledge of local education, as well as its history. I am expecting this professor to give me many first hand examples of how he reacted to standardized testing, as well as his opinion on the matter to compare with other educators I plan on interviewing. This particular professor, however, has a lot to say about educational practices that could potentially be doing more harm than good. I believe interviewing him will provide “one cool source” because he has so much knowledge about the subject, as well as so much to say about it.

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[1] “Ethan Allen closing 2 plants,” Furniture Today, April 22, 2004.

Monday, April 4, 2016

Little Known Stories of Mohawk Valley Immigration


Introduction by Professor Sherri Cash


This year, I asked my senior history research students to reflect on "One Cool Source" that inspired each of their projects, which they will present at the Utica College History Department's / Center for Historical Research's annual History Project Symposium. Each student is researching a project that connects with the theme “Superheroes” in the Mohawk Valleywhich entails the reconstruction of events in the region's past that involved triumph over adversity, or struggles in power.  Some of the papers focus on aspects of the Mohawk Valley's rich immigration history. Here's a little about them.




Mike Belmont

The Italian Immigrant Experience in Frankfort


Have you ever thought about how you ended up where you lived? Or why your family ended up where they lived? Or how one group of people settled where they settled?   One of the cool things about my research is getting to explore how people got to Frankfort, a small town in Herkimer County.  One of my primary sources is an interview I had with an Italian immigrant who has lived most of her adult life in Frankfort. She grew up in Italy, under the rule of Benito Mussolini during the World War II, and moved to America after the war to join her father. In her teens and twenties, she lived in New York City, where she met her husband who is of Italian heritage and from Frankfort. Eventually, the two married and settled there.  What makes her interview historically “cool” and interesting to me is that it is giving me the opportunity to tell the authentic story of an Italian immigrant who was living in fear and poverty in her home country, who then moved across the world to start an “American” life. The life of this Italian immigrant woman and a town in the Mohawk Valley reveal so much about the immigrant experience and the development of Central New York, the state, and the nation. People like her came not just for themselves but for their future families. [1]


Alexis Holmer

Wanted: The History of Bosnian Women in Utica


Ralph Waldo Emerson said, “Men are what their mothers made them.” History has been more inclined to trace the history seen through men’s eyes, but what about our mothers? Immigrant women have no place to call home in history. Their history is fragmented in multiple disciplines of history, sociology, and anthropology. Locally, this is an issue. Institutions like Utica College, Hamilton College, and Colgate University all produced scholarly work on immigrant families and men. What about women? How about Bosnian women? Since the 1980s, over 4,000 Bosnian families immigrated to Utica. Possibly half of those people were women and mothers. What can Uticans say about our Bosnian majke (mothers)? Someone needs to prevent this historical goldmine from fading away. What did these women do to escape the war, how did they help their families through resettlement, did they work double jobs, how did they come out of a war and restart their families? We do not know because no one asked that question. By conducting interviews with these unknown but courageous women, a gap in history can be filled. Their stories are in our backyard, and we are letting them rust into nothing.


Patrick Garrett

Building the Coliseum


The Coliseum Soccer Club was founded in 1978 by John Fornino and other Italian immigrants. Their families left Italy after World War II in hopes of finding better opportunities for themselves and their children in America.  Even though they left their homeland, Mr. Fornino’s family and friends brought their passion for the game of soccer with them to America. Fornino said that being Italian meant that they had “soccer running through [their] blood.” The Coliseum Soccer Club was created to give Italian immigrants in the Mohawk Valley an identity while keeping a connection with their home country. The Roman Coliseum is the biggest landmark in Italy, which illustrates where their cultural roots are. In Fornino’s opinion, the Coliseum Soccer Club helps break down barriers by giving young athletes who are interested in the game a chance to play. “It does not matter what race, background, or religion that you practice as long as you treat everyone fairly and play the game the way it is meant to be played,” he says. Over the last forty years, Fornino has transformed the Coliseum Soccer Club from a men’s team into a soccer club that focuses on the younger generation of soccer players. His goal was to turn the club’s focus to producing homegrown players. The club places special emphasis on youngsters to help develop better game play and local talent.  John said that his “goal has been completed, and it [is] a dream come true to see where the Coliseum Soccer Club is today.” Not only has Fornino turned his attention to the young athletes, but he also extended the club to immigrant communities in Utica. With all of the immigrants who have moved to the area as refugees, Fornino wants to expand Coliseum and its influence to these communities to help bring cultures together through their shared passion for soccer. [2]

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[1] Theresa Belmont, interviewed by Michael Belmont, January 2016.
[2] John Fornino (Coliseum Soccer Club Founder), interviewed by Patrick Garrett, February 29, 2016.
Image Credit: https://upload.wikimedia.org/wikipedia/commons/thumb/9/9d/Flag_map_of_Bosnia_and_Herzegovina.svg/2000px-Flag_map_of_Bosnia_and_Herzegovina.svg.png / Coliseum SC Logo courtesy of the Utica Coliseum Soccer League.